Added wood_scouting post
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xavishobbies/content/music/_index.md
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title: "Music"
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date: 2023-02-22T14:17:31-08:00
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xavishobbies/content/music/wood_scouting.md
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title: "Wood_Scouting"
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date: 2023-02-23T0:22:17-08:00
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description: Banjo - Build
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categories: ["Top_of_the_Stack"]
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tags: ["banjo", "build"]
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The truth is I'm not very good at playing banjo. And the first thing a bad musician does is blame their instrument for how bad they sound. Well believe me when I say I need a really good excuse for sounding this bad **[there's a reason I haven't posted myself playing yet]**. So I decided the only way to give myself that big of an excuse is to build the instrument myself **[although then my dad got involved so now I might have to find a new excuse]**.
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The style of banjo I play **[or attempt to play]** is called *clawhammer* or *frailing* banjo. It's heard a lot in [old-time](https://www.youtube.com/watch?v=9aDpYAaYNqw) music with, what I find to be, a much *warmer, more rustic* tone than the twangier and brighter bluegrass and [Scruggs](https://www.youtube.com/watch?v=bbFdE25QAlc) style banjo.
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I found a fella' by the name of [Clifton Hicks](https://www.youtube.com/channel/UC0fRKB_T-2yrNajqoz9VWAg) that seems to have some videos that go into building a banjo that, I believe, emphasizes exactly [that tone.](https://www.youtube.com/watch?v=Y4VxGOJGf-8&t=10s) I really like the sound and look of his Fretless *Kentucky style* banjo and I think for a beginner woodworker like myself, it doesn't seem all to difficult to try and replicate **[we'll see once we get into the thick of it]**.
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It looks like wood selection has a pretty major impact on sound and Mr. Hicks has a couple [recommendations.](https://www.youtube.com/watch?v=tVVgjWSAWxU) It seems like, basically, you want *hardwood* for every part of the banjo. He even mentions that some older banjos were made entirely of *maple*. He notes that *maple*, *cherry*, or *walnut* are preferable for the *neck, tuning pegs, bridge, and tail piece* while *red oak* is good for the *pot*. This is because he finds that the porousness of the oak contributes to a great sound from the pot.
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{{< image_sc "/woodcraft_wood.jpg" "Woodcraft Wood" "Woodcraft Wood" >}}
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So here's the quick rundown of the plan.
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**For the pot**
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1. Grab some *oak*
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2. Cut out three equal hexagons
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3. Stack the hexagons
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4. Cut a hole into the top two
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5. Tack some *hide* or *drumskin* over the hole
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{{< line_break >}}
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**For the rest**
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1. Grab a *4x4x36* of *cherry*, *walnut*, or *maple*
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2. Use most to shape out the neck
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3. Use the rest to whittle the bridge, tailpiece, and tuning pegs.
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Obviously there is going to be a lot more to it **[you don't say]** but I think it's a good jumping off point to get feet wet **[I always feel the hardest part of a project is just getting started]**.
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We did end up going out and looking at our local wood selection and found it did not have any of the wood that we were looking for **[or they did, but just not in a size that would work]**, so it looks like actually finding a good wood supplier might be a bit harder than I expected **[I am ashamed to say that I thought I could find usable stock at a Home Depot. DON'T LAUGH!!!]**.
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Another revelation was just how *EXPENSIVE* all the available *hardwood* is **[now I see why instruments are so expensive]**. So in order to try and mitigate any unfortunate mistakes on the *VERY EXPENSIVE hardwood*, I decided that it might make sense to try and prototype some cuts with a much **[MUCH]** cheaper wood like *pine* or *poplar*.
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{{< image_sc "/homedepot_pine_4x4.jpg" "Home Depot Pine" "Home Depot Pine" >}}
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Welp! That's pretty much all I got for now. Next things in the pipeline is to just *get the wood* and *start chopping*. I'll keep you posted on how it goes!
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